tag:blogger.com,1999:blog-185258462024-03-19T04:03:44.556+00:00Dave Paul's PlaceA prod of classDave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.comBlogger423125tag:blogger.com,1999:blog-18525846.post-88742524145096264002013-11-17T23:42:00.002+00:002013-11-17T23:42:33.848+00:00Theatre Review: Strangers on a Train<div dir="ltr" style="text-align: left;" trbidi="on">
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The set for Strangers on a Train is ingeniously clever: a
spinning curved triangle, allowing for different sets to be built into each
side, with a simple rotation required to change the locale. And doorways provided for characters to move seamlessly from one set to another. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRi3r-6NqB0TVz-yZ4F8vhGINLkDq96wQ3N1RxpvBIya65IlAvo5DEzFjZcxLDUpo0u1vK2n5mLMRcvDJEsCzcV8on9k_gZt-N_7Wuzna6Mo7CF056Yy-4Rj-4pzrA8cWg1zbJCg/s1600/Strangers+on+a+Train.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRi3r-6NqB0TVz-yZ4F8vhGINLkDq96wQ3N1RxpvBIya65IlAvo5DEzFjZcxLDUpo0u1vK2n5mLMRcvDJEsCzcV8on9k_gZt-N_7Wuzna6Mo7CF056Yy-4Rj-4pzrA8cWg1zbJCg/s1600/Strangers+on+a+Train.gif" /></a>It’s a simple idea; a good idea. But one that proves
ultimately to be a distraction.</div>
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<![endif]-->It distracts in a very obvious way because it’s not so
seamless after all;<span style="mso-spacerun: yes;"> </span>adding and removing sets
backstage proves to be exceptionally noisy work; at one
point a stage hand is heard tripping over and dropping something. This is the
first performance, so some of this is forgivable.Though, frankly, they can’t have not noticed the noise during rehearsal.</div>
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While the shifting sets can take us to the play’s many
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The fast action and scene switching of the first half is
enough to mask these issues; the set seems to hold place for only a few moments
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It’s all well and good bringing your play to life with a bit
of technical wizardry, but when the whole play’s about human psychology, the
time really could've been better spent. <span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"><i>Strangers on a Train plays at the Gielgud Theatre, London, until March 2014 </i></span></div>
<br />
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-76969193668373305932013-11-07T23:05:00.000+00:002013-11-07T23:05:40.107+00:00November Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Blah, blah, blah, <a href="http://www.filmreviewer.net/">blog</a> and all that. </span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Rush</b> (2013) Chris Hemsworth, Daniel Brühl, Olivia Wilde, Alexandra Maria Lara, Pierfrancesco Favino. Dir: Ron Howard. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
<div style="clear: right; float: right; padding: 5px; width: 95px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/008/04/rush-50-word-film-review.jpg" target="_blank"><img alt="Rush 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/04/rush-50-word-film-review.jpg" style="width: 100%;" title="Rush 50 Word Film Review" /></a></div>
</div>
<br />
In 70s Formula One, a rivalry begins between German Niki Lauda and
Englishman James Hunt. Story gets a little soapy in places, but
successfully manages to make both drivers engaging, rounded
personalities in their own right, and brings the drama, action and
danger of the driving sequences heart-poundingly to life. <br />
<br />
DDDD</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>The Blair Witch Project</b> (1999) Heather Donahue, Michael C. Williams, Joshua Leonard. Dir: Eduardo Sánchez, Daniel Myrick. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/009/03/blair-witch-project-50-word-film-review.jpg" target="_blank"><img alt="Blair Witch Project 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/03/blair-witch-project-50-word-film-review.jpg" style="width: 100%;" title="Blair Witch Project 50 Word Film Review" /></a></div>
</div>
<br />
The found-footage of three students who went looking for a witch and
never came back. May seem tame now, but stands up better than most
imitators because it does authenticity better. The characters feel real -
they argue and bicker – and also for much of the time, not much
happens.<br />
<br />
DDDD</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Nightbirds</b> (1969) Berwick Kaler, Julie Shaw, Elaine Shore. Dir: Andy Milligan. </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span>
<div style="clear: right; float: right; padding: 5px; width: 105px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/002/07/nightbirds-50-word-film-review.jpg" target="_blank"><img alt="Nightbirds 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/002/07/nightbirds-50-word-film-review.jpg" style="width: 100%;" title="Nightbirds 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br />
A girl takes pity on a homeless boy; they begin a passionate but
increasingly isolated relationship. Milligan’s often cited as one
cinema’s worst writer/directors, but this kitchen-sink drama suggests he
had more to offer. Though low budget, there’s a complex psychology
demonstrated with a visual aesthetic that compliments the drama. <br />
<br />
DDD </span><br />
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Mary Reilly </b>(1996) Julia Roberts, John Malkovich, George Cole, Michael Gambon, Glenn Close. Dir: Stephen Frears.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/009/06/mary-reilly-50-word-film-review.jpg" target="_blank"><img alt="Mary Reilly 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/06/mary-reilly-50-word-film-review.jpg" style="width: 100%;" title="Mary Reilly 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br />
Housemaid Mary is attracted to her employer, but is not keen on his
assistant, Mr Hyde. Interesting take on an old source where someone
denied expression is pitted against someone one with no inhibition,
simultaneously attracting and repulsing them. Unfortunately, Roberts’s
pretty stiff, but also has little to really do. <br />
<br />
DDDd</span><br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Le Week-End</b> (2013) Jim Broadbent, Lindsay Duncan, Jeff Goldblum. Dir: Roger Michell. </span><br />
<div style="text-align: right;">
<br /></div>
<div style="clear: right; float: right; padding: 5px; width: 133px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/003/08/le-weekend-50-word-film-review.jpg" target="_blank"><img alt="Le Week-End 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/003/08/le-weekend-50-word-film-review.jpg" style="width: 100%;" title="Le Week-End 50 Word Film Review" /></a></div>
</div>
<br />
An ageing married couple visit Paris in the hope of mending their frayed
relationship. The relationship and its contradictions are entirely
believable, the leads likeable, and there’s much all-too-true comedy. It
has charm and pathos, but moves towards a predictable climax and the
ending’s something of a cop-out. <br />
<br />
DDDD<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><b>When the Wind Blows</b> (1986) John Mills, Peggy Ashcroft. Dir: Jimmy Murakami. </span><br />
<div style="text-align: right;">
<br /></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/000/05/when-the-wind-blows-50-word-film-review.gif" target="_blank"><img alt="When the Wind Blows 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/000/05/when-the-wind-blows-50-word-film-review.gif" style="width: 100%;" title="When the Wind Blows 50 Word Film Review" /></a></div>
</div>
<br />
An elderly couple do their best to prepare themselves and their home for
nuclear war. An innovatively animated comedy that’s fundamentally not
funny; the trust the dotty pensioners have in the powers-that-be is
tragically misplaced, and their fate a cruel betrayal. The characters
are so believably conceived it’s heart-breaking viewing. <br />
<br />
DDDDd<br />
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-66161386202192753332013-10-21T18:06:00.002+01:002013-10-21T18:06:34.241+01:00Comic Book Hero of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<span style="font-family: Calibri;"><strong>Arm-Fall-Off Boy</strong> </span><br />
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibMlqMYmj7K8vn6LwdGZnK7Hrh3WNoiJjR25Rfgc8eP_2YVBKYhw4zoV5eGKgqVFcgZ7okT_3ERgAGjwFMSVT1j4b5Ppl9oII7_dqF3iFhsZFTt67gXryMhc6vhuczkhsU93LG6g/s1600/3097751-arm-fall-off_boy-edited.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibMlqMYmj7K8vn6LwdGZnK7Hrh3WNoiJjR25Rfgc8eP_2YVBKYhw4zoV5eGKgqVFcgZ7okT_3ERgAGjwFMSVT1j4b5Ppl9oII7_dqF3iFhsZFTt67gXryMhc6vhuczkhsU93LG6g/s1600/3097751-arm-fall-off_boy-edited.jpg" /></a><span style="font-family: Calibri;">Arm-Fall-Off Boy has the ability to detach his own limbs,
which he can then use as blunt weapons. He can literally tear off his arm and
beat you with the wet end. He first appears while trying-out to join the Legion of Super Heroes. Unsurprisingly, his attempt fails. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;"></span> </div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">Much later, he made another attempt, now using the name Splitter.
Unfortunately the pressure was too much for him and he literally fell apart. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
</div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">It’s not certain how the self-amputating hero, real name Floyd
Belkin, got his unique powers. It may have been because he mishandled a
dangerous element, although in recent continuity it is suggested his arm first
fell off shortly </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">after birth; a nightmare, of course, for any new parent. </span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<o:p><span style="font-family: Calibri;"> </span></o:p></div>
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-22370734812613523022013-10-07T21:38:00.000+01:002013-10-07T21:39:27.272+01:00October Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">There's <a href="http://www.filmreviewer.net/">a blog</a>, I'm sure I've mentioned it.</span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Hausu </b>(1977) Kimiko Ikegami, Miki Jinbo, Kumiko Oba, Ai
Matubara, Mieko Sato, Eriko Tanaka, Masayo Miyako, Yoko Minamida. Dir: Nobuhiko Obayashi.
</span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 151px;">
<br />
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/005/06/hausu-50-word-film-review.jpg" target="_blank"><img alt="Hausu 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/005/06/hausu-50-word-film-review.jpg" style="width: 100%;" title="Hausu 50 Word Film Review" /></a></span></span></div>
</div>
<br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">A Japanese girl and friends go on holiday to her Aunt’s sinister
isolated home. You can tell Obayashi directed commercials; this is as
naturalistic – and hyper-bonkers. Sort of a live-action Scooby-Doo, but
more psychedelic, schizophrenic and bloody. You won’t have seen anything
like – whether it’s good or not is debatable.<br />
<br />DDDD</span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The War Game</b> (1963) Michael Aspel, Peter Graham. Dir: Peter Watkins.</span></span></div>
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/002/00/the-war-game-50-word-film-review.jpg" target="_blank"><img alt="The War Game 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/002/00/the-war-game-50-word-film-review.jpg" style="width: 100%;" title="The War Game 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
<br />
Docudrama about Britain’s preparations for nuclear war and what would
might happen in the aftermath. Banned by BBC before transmission, this
pulls no punches in depicting the horror of nuclear attack and exposing
the misleading and inadequate response by government. 50 years on and
it’s still horrific and harrowing viewing. <br />
<br />
DDDDD </span></span><br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<b><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></b></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Ninotchka</b> (1939) Greta Garbo,Melvyn Douglas, Ina Claire, Sig Ruman, Felix Bressart, Alexander Granach. Dir: Ernst Lubitsch. </span></span></div>
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 130px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/001/00/ninotchka-50-word-film-review.jpg" target="_blank"><img alt="Ninotchka 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/00/ninotchka-50-word-film-review.jpg" style="width: 100%;" title="Ninotchka 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
<br />
A die-hard communist official arrives in Paris to raise funds, but a
suave American tests her resolve. Surprisingly political and
occasionally dark, this even allows the commies to get some decent digs
in, though the west naturally does better. Frequently hilarious, despite
a moping third act. And Garbo is sensational.<br />
<br />
DDDDd </span></span><br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Dark City</b> (1997) Rufus Sewell, Keifer Sutherland, Jennifer Connelly, William Hurt, Richard O'Brian, Ian Richardson. Dir: Alex Proyas. </span></span></div>
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 118px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/007/09/dark-city-50-word-film-review.jpg" target="_blank"><img alt="Dark City 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/09/dark-city-50-word-film-review.jpg" style="width: 100%;" title="Dark City 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
<br />
A man wakes up in a strange place, in a strange city, with no memory and
a corpse next to him. Dazzling, dense sci-fi neo noir with startling
effects and a mighty pace. Beneath the flash the reasoning’s a bit
wobbly and plot not water-tight, but quite a ride nevertheless. <br />
<br />
DDDD</span></span><br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Elysium</b> (2013) Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner. Dir: Neill Blomkamp.
</span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<br />
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/009/04/elysium-50-word-film-review.jpg" target="_blank"><img alt="Elysium 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/04/elysium-50-word-film-review.jpg" style="width: 100%;" title="Elysium 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /> </span></span><br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">A dying man’s only hope is to leave the impoverished Earth and travel to
elitist paradise Elysium. Delivers a great deal of action
entertainment, but it’s hard to take its political themes seriously with
such a frenetic don’t-question-it plot and such cartoonish villains.
May have been cut for time too heavily. <br />
<br />
DDDd</span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Twisted Nerve </b>(1968) Hywel Bennett, Hayley Mills, Russell Napier,
Billie Whitelaw, Frank Finlay, Barry Foster, Timothy West. Dir: Roy
Boulting. </span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 99px;">
<br />
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/007/01/twisted-nerve-50-word-film-review.jpg" target="_blank"><img alt="Twisted Nerve 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/01/twisted-nerve-50-word-film-review.jpg" style="width: 100%;" title="Twisted Nerve 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
A maladjusted young man pretends to be mentally disabled to get close to
a girl. Hardly PC – and the science is ludicrous – but as a
psychological thriller it works on a number of disturbing levels, and
there’s a strong streak of black humour running through, though a touch
uneventful. </span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"> </span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDDd</span></span><br />
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The Atomic Cafe</b> (1982) Dir: Jayne Loader, Kevin Rafferty, Pierce Rafferty. </span></span></div>
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/008/00/atomic-cafe-50-word-film-review.jpg" target="_blank"><img alt="Atomic Cafe 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/00/atomic-cafe-50-word-film-review.jpg" style="width: 100%;" title="Atomic Cafe 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
<br />
A montage of public information films and TV programming about the
atomic bomb after Hiroshima. Darkly fascinating and sometimes comic
examination of government propaganda and misinformation; hard to
distinguish between deliberate lies or simply ignorance, the impression
you get is a society ill-prepared for the power it’s unleashed. Sobering
stuff. <br />
<br />
DDDD</span></span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-67800757630299732912013-09-23T18:34:00.000+01:002013-09-23T18:34:06.496+01:00Album Review: Sticky Wickets by The Duckworth Lewis Method<div dir="ltr" style="text-align: left;" trbidi="on">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcp8WcQbtZd6-bJNzt7ZCvuhKj577PLMXxeTc2-aekZx7Sry9sjOgL1CmXa2JT9M80f52MBbQp7IF6tijCCkf1oVcHZhWVlne1BpUoYNpsgk-HDmFOOn3XKcCPQH3iIcnN6u02xw/s1600/sticky_wickets_releases.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcp8WcQbtZd6-bJNzt7ZCvuhKj577PLMXxeTc2-aekZx7Sry9sjOgL1CmXa2JT9M80f52MBbQp7IF6tijCCkf1oVcHZhWVlne1BpUoYNpsgk-HDmFOOn3XKcCPQH3iIcnN6u02xw/s200/sticky_wickets_releases.jpg" width="200" /></a><br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Even more unlikely than a concept album about cricket is a second
concept album about cricket. Neil Hannon and Thomas Walsh’s first Duckworth
Lewis Method Album unexpectedly struck something of a chord, becoming a surprise
summer hit and earning them a coveted Ivor Novello nomination. <o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Sticky Wickets naturally follows the same themes as their
debut, but the execution this time is quite different. Part of the appeal of
the first record was its sense of pastoral, old-England fields, lazy games and
quaint country sports on sunny afternoons. Sticky Wickets, however, is a
tribute to 70s pop and prog rock, the work of ELO specifically, a group which
Hannon and Walsh have frequently cited as an influence. <o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">The result is an album that perhaps won’t appeal to as wide
an audience as the original, but still makes for a dappy, entertaining listen.
Tunes like <a href="http://www.youtube.com/watch?v=OEs5Bmc16YA">The Third Man</a> and <a href="http://www.youtube.com/watch?v=084zTIoCgxI">the title track</a>, seem to channel the soul of Jeff
Lynne directly (and the more restrained, tasteful part of it), while the lovely
<a href="http://www.youtube.com/watch?v=Gkgw4yN2g_c">Out in the Middle</a> is indebted to fellow cricket fans 10CC, and Steely Dan. The
album’s most laugh-out-loud moment comes during <a href="http://www.youtube.com/watch?v=CY_3SGNRvMw">Line and Length</a>, an 80s funk
pastiche where Hannon deadpans about the physics/geometry of bowling over heavy
backing vocals, old-school synths and electric drums<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Fans, friends and cricket royalty make guest appearances,
mostly notably Daniel Radcliffe, Matt Berry, commentators David Lloyd and Henry
Blofeld, and Stephen Fry, excellently deployed on <a href="http://www.youtube.com/watch?v=rf4FNTnZQ6Q">Judd’s Paradox</a>, the album’s
emotional high-point. <o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">It doesn’t all quite work; the production on The Cavaliers
and Mystery Man is a touch flat, though gradually builds in both cases to more
satisfyingly rowdy finales. It’s also hard to deny that the subject matter is
becoming even more obscure: the first album offered listeners a very accessible
structured trip through a game start to finish; Sticky Wickets gives you tunes
about what it’s like to be third man before starting to reference the film, The
Third Man, with Daniel Radcliffe appearing to monologue about the dark streets
of Vienna. It’s jolly, but a little distracting for the non-cricket aficionado.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">It’s this and the less summery-sound that may make it
somewhat less successful than the first record, and ultimately less rewarding
for repeat listening. It is, nevertheless, a ton of fun with a few transcendent
moments that far outshine its novelty value. <o:p></o:p></span></div>
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-17692053054324122742013-09-18T23:49:00.001+01:002013-09-18T23:50:23.104+01:00Psycho Bagpuss<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-54444588404806877522013-09-05T21:36:00.000+01:002013-09-05T21:36:15.064+01:00August Film Highlights <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">You can of course visit <a href="http://www.filmreviewer.net/">the blog</a>. </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Wadjda</b> (2012) Waad Mohammed, Reem Abdullah, Abdulrahman al-Guhani, Sultan Al Assaf. Dir: Haifaa al-Mansour. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><br /></span></div>
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<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><a href="http://www.filmreviewer.net/im/008/04/wadjda-50-word-film-review.jpg" target="_blank"><img alt="Wadjda 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/04/wadjda-50-word-film-review.jpg" style="width: 100%;" title="Wadjda 50 Word Film Review" /></a></span></div>
</div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
A Saudi Arabian girl is determined to have a bicycle, no matter what
convention dictates. A Middle-Eastern Bicycle Thieves. An appealing
struggle against adversity and injustice with a feisty heroine you can
really get behind. Superbly acted and very funny, but with real tragedy
and serious issue at its core. </span></span>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
DDDDD</span></span><br />
<br />
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.filmreviewer.net/im/008/03/edvard-munch-50-word-film-review.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"><img alt="Edvard Munch 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/03/edvard-munch-50-word-film-review.jpg" style="width: 100%;" title="Edvard Munch 50 Word Film Review" /></a><b>Edvard Munch</b> (1974) Geir Westby, Gro Fraas, Johan Halsbog, Lotte Teig, Gro Jarto, Rachel Pedersen. Dir: Peter Watkins.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 135px;">
<span style="font-size: small;">
</span></div>
<span style="font-size: small;">
<br />
Life of the famous painter, his upringing, influences and the hostility
his work faced. Using his pseudo-documentary style, Watkins presents not
a biopic, but a dense expression of the elements that contribute to
Munch’s works, from relationships to contemporary society. Fascinating
exercise, but occasionally hard to follow and very long. <br />
<br />
DDDDd</span><br />
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Piccadilly </b>(1929) Gilda Gray, Anna May Wong, Jameson Thomas, King Ho Chang. Dir: E.A. Dupont. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><a href="http://www.filmreviewer.net/im/008/03/piccadilly-50-word-film-review.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"><img alt="Piccadilly 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/03/piccadilly-50-word-film-review.jpg" style="width: 100%;" title="Piccadilly 50 Word Film Review" /></a></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
</div>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
A London club dance act is no longer pulling in the punters, so the boss
decides to employ something more exotic. A decadent and lavish
depiction of Jazz age London. Exquisitely filmed and tinted, it’s
surprisingly sensual and admirably disapproving of racism, although
story is touch stretched for run time.</span></span>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
DDDD</span></span><br />
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Fear X</b> (2003) John Turturro, James Remar, Deborah Kara Unger, William Allen Young. Dir: Nicolas Winding Refn. </span></span><br />
<br />
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/001/07/fear-x-50-word-film-review.jpg" target="_blank"><img alt="Fear X 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/07/fear-x-50-word-film-review.jpg" style="width: 100%;" title="Fear X 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br />
A security guard obsessively watches CCTV tapes in the hope of finding
who killed his wife. Moves between paranoid thriller and more
straight-forward conspiracy thriller, as if it can’t quite commit to
either, before going completely Lynch at the end. Not without interest,
but the story just isn’t that compelling. <br />
<br />
DDDd</span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><br />Wolverine </b>(2013) Hugh Jackman, Tao Okamoto, Hiroyuki Sanada, Rila
Fukushima, Famke Janssen, Will Yun Lee, Svetlana Khodchenkova, Haruhiko
Yamanouchi. Dir: James Mangold.</span></span><br />
<br />
<div style="clear: right; float: right; padding: 5px; width: 150px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/008/02/the-wolverine-50-word-film-review.jpg" target="_blank"><img alt="The Wolverine 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/02/the-wolverine-50-word-film-review.jpg" style="width: 100%;" title="The Wolverine 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br />
The destitute hero is lured to Japan by a dying friend with a
proposition. Suffers from the same issues as Marvel’s own productions –
weak supporting characters and an over-complicated plot that should be
interesting, but isn’t. Action keeps it lively through first half, but
that too becomes irritating, and repetitive.<br />
<br />
DDD</span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><b>Planes, Trains & Automobiles</b> (1987) Steve Martin, John Candy. Dir: John Hughes. </span></span><br />
<br />
<div style="clear: right; float: right; padding: 5px; width: 135px;">
<span style="font-size: x-small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.filmreviewer.net/im/007/05/planes-trains-automobiles.jpg" target="_blank"><img alt="Planes, Trains & Automobiles" class="bodyimage" src="http://www.filmreviewer.net/im/007/05/planes-trains-automobiles.jpg" style="width: 100%;" title="Planes, Trains & Automobiles" /></a></span></span></div>
</span></div>
<span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
<br />
A businessman experiences disaster after disaster trying to get home for
Thanksgiving. It works because it’s simple and relatable. We get the
characters and understand their frustrations. Importantly, Candy and
Martin don’t overdo it, knowing it can be just as funny to simmer. A
professional work, sadly a rare one.<br />
<br />
DDDD</span></span><br />
</span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-87055928753895986222013-08-24T23:38:00.000+01:002013-08-24T23:38:26.368+01:00He is risen...<div dir="ltr" style="text-align: left;" trbidi="on">
<b>... and with fabulous low prices!</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmJsC_a8EDNwFzEpbcls51tE9F2IFJri81X0pV5EOtwjBrmai6h_XSc3dMxBePUMoHeYAxXeSh8Ek0quOS5Qv5V0GCA2A7yPW_2Y1nRtb7ay77QH-Z-wvuuey7ZlY3gzCUW_hZ_g/s1600/Christ.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmJsC_a8EDNwFzEpbcls51tE9F2IFJri81X0pV5EOtwjBrmai6h_XSc3dMxBePUMoHeYAxXeSh8Ek0quOS5Qv5V0GCA2A7yPW_2Y1nRtb7ay77QH-Z-wvuuey7ZlY3gzCUW_hZ_g/s640/Christ.jpg" width="640" /></a></div>
<br /></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-59412500038590114192013-08-08T22:47:00.000+01:002013-08-24T23:36:01.689+01:00July Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">You can visit<a href="http://www.filmreviewer.net/"> the blog </a>is you like. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Blancanieves</b> (2012) Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Pere Ponce. Dir: Pablo Berger.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<div style="clear: right; float: right; padding: 5px; width: 106px;">
<br />
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/009/08/blancanieves-50-word-film-review.jpg" target="_blank"><img alt="Blancanieves 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/08/blancanieves-50-word-film-review.jpg" style="width: 100%;" title="Blancanieves 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
The estranged daughter of a crippled bullfighter is sent to live with
him and his cruel new wife. A new silent film retelling of Snow White; a
very European marriage of fairy tale and grotesque, celebrating the
passionate culture of Spain’s past but without shying away from its
cruelty. Sumptuously beautiful and elegantly brought to life. </span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
DDDDd</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Behind the Candelabra</b> (2013) Michael Douglas, Matt Damon, Dan Aykroyd, Rob Lowe, Debbie Reynolds, Scott Bakula. Dir: Steven Soderbergh. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/008/03/behind-the-candelabra-50-word-film-review.jpg" target="_blank"><img alt="Behind the Candelabra 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/03/behind-the-candelabra-50-word-film-review.jpg" style="width: 100%;" title="Behind the Candelabra 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">The story of Liberace’s relationship with a young dog trainer, Scott
Thorson. Amongst cinema’s most unusual and creepy relationships, yet
despite the possessiveness and pseudo-incest, there is something
ultimately endearing about this bizarre pairing. Douglas and Damon are
both excellent, though Lowe also has a plumb role. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDDD</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Hansel & Greta</b>l (2007) Chun Jung-myung, Eun Won-jae, Shim Eun-kyung, Jin Ji-hee. Dir: Yim Pil-Sung.
</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 120px;">
<br />
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/003/03/hansel-gretal-50-word-film-review.jpg" target="_blank"><img alt="Hansel & Gretal 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/003/03/hansel-gretal-50-word-film-review.jpg" style="width: 100%;" title="Hansel & Gretal 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /> </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">After a car accident, a child leads a man to a strange fairy-tale
cottage in the woods. This creepily sugar-sweet world is brilliantly
bought to life and the disturbing implications of the childrens' powers
linger long after viewing. Adult characters, however, are curiously
under-developed and drags badly in the middle. <br />
<br />
DDDD </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>A Field in England</b> (2013) Michael Smiley, Reece Shearsmith, Peter Ferdinando, Richard Glover, Ryan Pope. Dir: Ben Wheatley. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 94px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/002/01/field-in-england-50-word-film-review.jpg" target="_blank"><img alt="Field in England 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/002/01/field-in-england-50-word-film-review.jpg" style="width: 100%;" title="Field in England 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">English civil war deserters are forced by an alchemist to search for
treasure in a field with magic mushrooms. Seriously strange tale of
witchcraft and devilry, in the tradition of folk horrors like <a href="http://www.filmreviewer.net/blood-on-satans-claw/" target="_blank">Satan’s Claw</a> and Whicker Man but hallucinatory. Defies easy explanations, but certain sequences linger long, especially the freak-out.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDDD</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The East</b> (2013) Brit Marling, Alexander Skarsgård, Ellen Page, Patricia Clarkson, Toby Kebbell. Dir: Zal Batmanglij. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 112px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/000/01/the-east-50-word-film-review.jpg" target="_blank"><img alt="The East 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/000/01/the-east-50-word-film-review.jpg" style="width: 100%;" title="The East 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">An undercover operative infiltrates an anti-corporate activist group
with an eye-for-an-eye philosophy. Despite hard-hitting pretensions,
little better than an average teen movie. Politically and
philosophically flimsy, activists are too clichéd and underdrawn and the
corporations too diabolical to be taken seriously. Not very engaging,
and gets steadily sillier.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDD</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Equus</b> (1977) Richard Burton, Peter Firth, Colin Blakely, Joan Plowright, Eileen Atkins, Jenny Agutter. Dir: Sidney Lumet. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/002/05/equus-50-word-film-review.jpg" target="_blank"><img alt="Equus 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/002/05/equus-50-word-film-review.jpg" style="width: 100%;" title="Equus 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">A psychiatrist must treat a boy who has viciously blinded six horses.
Some said that Lumet’s adaptation lacked imaginative staging of the
play, yet could hardly be called badly done – some sections are
electrifying, and not just because of the actors or script, which are
both outstanding. Disturbing and enthralling. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDDDD</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The Invisible Boy</b> (1957) Richard Eyer, Philip Abbott, Diane Brewster, Harold J. Stone. Dir: Hermann Hoffman. </span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/001/03/the-invisible-boy-50-word-film-review.jpg" target="_blank"><img alt="The Invisible Boy 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/03/the-invisible-boy-50-word-film-review.jpg" style="width: 100%;" title="The Invisible Boy 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">A super-computer tells a boy how to make his own robot. Vehicle for Robbie the Robot from <a href="http://www.filmreviewer.net/forbidden-planet/" target="_blank">Forbidden Planet</a>,
curious mixed-bag, part kid wish-fulfillment but with serious sci-fi
pretensions. Weirdly subversive and deadpan in humour for 50s, yet
contradictorily frightening and paranoid. Lots of fun though, both
intentionally and unintentionally. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">DDDd </span></span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-85198831193985490562013-07-29T23:09:00.000+01:002013-07-29T23:09:02.645+01:00Comic Book Villain of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAJi0xTrQ_57qAReD8y7ZsIkZr6dN7jST5-F2iBtvBNysIA46AzvL6UPD8hlS9-uHpYSExUPMfJK8eSAUfe4ZhPVpwx9i8wKrtii-An74rfIA4eBMsp6R2l1veW3mcjCmd9jrV7w/s1600/Mad+Poet.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAJi0xTrQ_57qAReD8y7ZsIkZr6dN7jST5-F2iBtvBNysIA46AzvL6UPD8hlS9-uHpYSExUPMfJK8eSAUfe4ZhPVpwx9i8wKrtii-An74rfIA4eBMsp6R2l1veW3mcjCmd9jrV7w/s1600/Mad+Poet.png" /></a><b>The Mad Poet </b><br />
<br />
A poet who gets, well, rather upset. Egbert Alvin Pfoe comes third in a poetry competition, coming behind his nemesis Marmaduke Spearshake and Mary Batson (aka Mary Marvel), who apparently just turned up for a laugh. Absolutely enraged, Pfoe draws a knife
and tries to stab Speareshake in a fit of pique. Mary Batson rapidly transforms
into Mary Marvel and shields the winner from the attack.<br />
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<br /></div>
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But The Mad Poet hasn’t done yet. Vowing further revenge,
while talking entirely in rhyme, he shows up at Speareshake’s home, this time
with a gun. Fortunately, Mary Marvel is there to foil his attack once again.
She blocks the bullet and smacks Pfoe in the chops. </div>
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The Mad Poet manages to escape once more, throwing ink into
Mary Marvel’s face. Keen to put a stop to his villainy, Mary manages to track
him down by going to his… err… house. Mary, not in her Marvel persona, is taken
by surprise and captured by the Poet. He forces her to listen to his poetry,
but she gets free. She smacks him around and takes him down, claiming: “Roses are red, violets are
blue. But your eyes will be black, when I'm through with you!”.</div>
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-39812519870810970882013-07-22T21:39:00.001+01:002013-07-22T21:39:13.602+01:00Nice Graffiti<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-LuEn5LWACEXCLbkG7XS8Ss2MVqsWosgthr5TipY_9qVTQFxSy7K0zCqOcIXqZcUJP_xIjmYLBdl_rzqjE8Oswza6oBwxbAKaevYD_yZEXNmct3dEQhzrnEP8TeDdtG5PupnkYA/s1600/P1010326.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-LuEn5LWACEXCLbkG7XS8Ss2MVqsWosgthr5TipY_9qVTQFxSy7K0zCqOcIXqZcUJP_xIjmYLBdl_rzqjE8Oswza6oBwxbAKaevYD_yZEXNmct3dEQhzrnEP8TeDdtG5PupnkYA/s640/P1010326.JPG" width="640" /></a></div>
<br /></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-65860838871027457342013-07-11T23:03:00.000+01:002013-07-11T23:03:58.005+01:00Theatre Review: Charlie and the Chocolate Factory, The Musical<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy0xo7cQ1Zs33f4s3B3bb0Pq1sky2ggJ_YjG3HS4puyzTIQjfiumrgCoGnNm7FmC4Fzrrf5CJWRo0PTT1T3wMrzmGlhEeRvVYVKszTW-NY5lwN7-Nhu4Dfkq6WeTKVP6haMabn5w/s1600/Charlie+and+the+Chocolate+factory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy0xo7cQ1Zs33f4s3B3bb0Pq1sky2ggJ_YjG3HS4puyzTIQjfiumrgCoGnNm7FmC4Fzrrf5CJWRo0PTT1T3wMrzmGlhEeRvVYVKszTW-NY5lwN7-Nhu4Dfkq6WeTKVP6haMabn5w/s320/Charlie+and+the+Chocolate+factory.jpg" width="320" /></a></div>
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With chocolate waterfalls, oompa-loompas, glass elevators,
riverboat rides, nut-seeking squirrels and television lasers, the sheer
logistics of bringing Roald Dahl’s confectionary-celebration to life could be
enough derail any production. Yet it’s the one thing that this new stage musical
gets indisputably right.</div>
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The huge scale of the sets in this Sam Mendes produced
extravaganza are something to behold, and the frequency at which Wonka and his
child guests move from edible meadows to chocolate rivers to gum laboratories
is quite astonishing. Complete with dancing oompa-loompas – animated by
fully-grown dancers – the scale and ingenuity frequently dazzles. The cast move
so swiftly from one set-piece to the next, it’s hard enough to keep up while
sitting and watching, lord knows what it must be like to be back-stage.</div>
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What a shame then that all this excitement is jam-packed into
the second half. The whole first half sees proceedings stuck at the Bucket
family’s junk yard shack. Excepting interruptions from the TV, which brings the
other ticket winners into their home, we remain there exclusively, listening to songs
that highlight their pitiable poverty but love for each other.
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Yes, the songs are not great. They’re not bad, it’s just
that they’re entirely lacking in memorable hooks. The performers are able to
bring energy and life to them – especially the ludicrously talented youngsters
– yet one can’t help but be reminded of certain songs made famous by another
chocolate factory production…</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTn6wyzNEIRnvnQg7FMpGZUMxyLLA-5q8qO13MKx5j2cp4F9GRP84i5UycbqhFayCcauIGdbNoFvJEAxuslSPkyuzzFdLbpmVykOlFLBZV7P_vNlOypAryLPjnULgRmFd1E8S_Hg/s1600/charlie-chocolate-factory-production-stills-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTn6wyzNEIRnvnQg7FMpGZUMxyLLA-5q8qO13MKx5j2cp4F9GRP84i5UycbqhFayCcauIGdbNoFvJEAxuslSPkyuzzFdLbpmVykOlFLBZV7P_vNlOypAryLPjnULgRmFd1E8S_Hg/s320/charlie-chocolate-factory-production-stills-.jpg" width="320" /></a></div>
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the room; when Charlie finally gets his ticket, you can’t help but think “I’ve
got a golden ticket…" Alas, the writers seem to anticipate this, and bring you
right back to that dowdy junkyard house and dishevelled family for a much
drippier song. It’s no surprise that the most memorable tune in the whole
production is the one that’s in the movie – and they leave it right till the
end too (it’s Pure Imagination if you hadn’t guessed). </div>
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Flawed though it is, it is carried with a great deal of enthusiasm,
and the kick from first gear to fifth in the second half certainly keeps it
lively. There are no big star names (you can easily believe they blew the
budget on the sets), though reliable Nigel Planer is there as Grandpa Joe.
Douglas Hodge plays a more softly whimsical take on the legendary chocolatier,
less hysterical than Wilder, less peculiar than Depp. He has a more gentle
demeanour, with elegant gestures, swift lyrical patter and, crucially, just a
touch of spite around the edges.</div>
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It’s just a shame it doesn’t add up to much. The ending
feels rather tacked on after the whirlwind of changing back-drops. Like the disappointing
Burton/Depp version, it loses the story in amongst the set-pieces, reducing
Charlie and Joe to spectators who win the big prize by staying out of trouble.
This, alas, is no West End classic. Dazzling, but falling short of greatness.
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-45184489347193042072013-07-04T21:03:00.000+01:002013-07-04T21:03:13.074+01:00June Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I've probably mentioned <a href="http://www.filmreviewer.net/">the blog</a>.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"> </span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>My Neighbour Totoro</b> (1988) Dakota Fanning, Elle Fanning, Tim Daly, Lea Salonga, Frank Welker. Dir: Hayao Miyazaki.
</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 144px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/001/06/my-neighbor-totoro-50-word-film-review.jpg" target="_blank"><img alt="My Neighbor Totoro 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/06/my-neighbor-totoro-50-word-film-review.jpg" style="width: 100%;" title="My Neighbor Totoro 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br /> </span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Two girls move to the country to be near their hospitalised mother and
discover world of incredible creatures. Big warm hug of a movie;
celebreates the pleasures and comforts of childhood imagination. Mostly
plotless, it creates a feeling of wonder and enchantment and features
some of cinema's most adorable creatures. <br />
<br />
DDDDd</span></span><br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Much Ado About Nothing</b> (2012) Amy Acker, Alexis Denisof, Reed Diamond, Nathan
Fillion, Clark Gregg, Fran Kranz, Sean Maher, Jillian Morgese. Dir: Joss
Whedon.</span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 118px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/006/06/much-ado-about-nothing-50-word-film-review.jpg" target="_blank"><img alt="Much Ado About Nothing 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/006/06/much-ado-about-nothing-50-word-film-review.jpg" style="width: 100%;" title="Much Ado About Nothing 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
Beatrice and Benedick are constantly at odds, but can they be made to
love each other? Many of Whedon’s favourite performers are given a
chance to shine centre-stage in this smart, intimate adaptation that
sells both the comedy and the drama, making the story seem remarkably
fresh and enduring.</span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
DDDD</span></span><br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The Great Gatsby</b> (2013) Leonardo DiCaprio, Tobey Maguire, Carey Mulligan,
Joel Edgerton, Isla Fisher, Jason Clarke, Elizabeth Debicki. Dir: Baz
Luhrmann.</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 144px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/001/04/the-great-gatsby-50-word-film-review.jpg" target="_blank"><img alt="The Great Gatsby 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/04/the-great-gatsby-50-word-film-review.jpg" style="width: 100%;" title="The Great Gatsby 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br /> </span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">An eccentric millionaire throws extravagant parties in the hope of
ensnaring a lost love. On a basic level, Gatsby isn’t a complicated
story, and while Lurhman’s razzle-dazzle bravura maintains a dream-like
aura through first half, by the second it’s very much just the sum of
its parts, and so long. <br />
<br />
DDDd</span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Everything You Always Wanted To Know About Sex But Were Afraid To Ask</b> (1972) Woody Allen, Louise Lasser, John Carradine, Tony
Randall, Burt Reynolds, Gene Wilder, Jack Barry, Erin Fleming, Lynn
Redgrave, Regis Philbin, Heather MacRae. Dir: Woody Allen. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 95px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/000/04/everything-you-always-wanted-to-know-about-sex-50-.jpg" target="_blank"><img alt="Everything You Always Wanted To Know About Sex 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/000/04/everything-you-always-wanted-to-know-about-sex-50-.jpg" style="width: 100%;" title="Everything You Always Wanted To Know About Sex 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
A series of sketches built around sexual taboos. Amongst the weaker of
Allen’s early knock-abouts. Though significantly superior to your
average sex comedy, is still very patchy with some very tired material.
Certain sequences standout – the Italian segment and Wilder’s Sheep
affair – others are less funny than their conception. </span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
DDDd</span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The Haunted House of Horror</b> (1969) Frankie Avalon, Jill Haworth, Dennis Price, Mark Wynter, George Sewell. Dir: Michael Armstrong. </span></span><br />
<br />
<div style="clear: right; float: right; padding: 5px; width: 120px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/006/01/haunted-house-of-horror-50-word-film-review.jpg" target="_blank"><img alt="Haunted House of Horror 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/006/01/haunted-house-of-horror-50-word-film-review.jpg" style="width: 100%;" title="Haunted House of Horror 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br />
Bored suspiciously old swinging-London teens visit a haunted house and
one of them is murdered. The teenagers are so tediously samey it’s hard
to know who’s dead and who isn’t, which is unfortunate because all you
want is for irritating bunch to get slaughtered. Alas, hardly anything
bloody happens! <br />
<br />
D</span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>The Iceman</b> (2012) Michael Shannon, Winona Ryder, Chris Evans, Ray Liotta, David Schwimmer. Dir: Ariel Vromen. </span></span><br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 101px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="http://www.filmreviewer.net/im/009/09/the-iceman-50-word-film-review.jpg" target="_blank"><img alt="The Iceman 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/09/the-iceman-50-word-film-review.jpg" style="width: 100%;" title="The Iceman 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
The story of John Kuklinski: a family man who was also a prolific mafia
hitman. Shannon could pretty much read the phonebook and make it sound
frightening. His intensity adds a lot to film that has a nice
Scandi-esque cold sheen but is also undeveloped and hard to follow.</span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />
DDD</span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span>
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Populaire</b> (2012) Romain Duris, Déborah François, Bérénice Bejo, Shaun Benson. Dir: Régis Roinsard.
</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 140px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/007/00/populaire-50-word-film-review.jpg" target="_blank"><img alt="Populaire 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/00/populaire-50-word-film-review.jpg" style="width: 100%;" title="Populaire 50 Word Film Review" /></a></div>
</span></div>
<span style="font-size: small;">
<br /> </span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">A manager’s secretary is only good at typing, so he enters her in a
competition. Easily overlooked as fluff, this is endearingly
old-fashioned, not just in look, but in character-focus and uncynical
romanticism. Predictable maybe, and faltering when looking deeper, its
wit and charm make it worth ten-dozen bland romcoms.<br />
<br />
DDDD</span></span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-11370826735990587612013-06-27T23:28:00.001+01:002013-06-27T23:28:28.167+01:00TV Review: Game of Thrones Season 3<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFn-dTuqu8ey149D88eJA2ZYgiLvsf6EW_2yxtb2g282C_JAaA7AVNKTOKrR9iQ6JowIoM9cH5xAU7dX2At7rU5CV-V84VvMlRx4Cs1usMSrRr-GJ4DiN3MbgpDzD_10FUegyrkA/s622/GOT+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFn-dTuqu8ey149D88eJA2ZYgiLvsf6EW_2yxtb2g282C_JAaA7AVNKTOKrR9iQ6JowIoM9cH5xAU7dX2At7rU5CV-V84VvMlRx4Cs1usMSrRr-GJ4DiN3MbgpDzD_10FUegyrkA/s400/GOT+1.jpg" width="400" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">In the aftermath of season 2’s big scuffles, the third
season of HBO’s epic fantasy adaptation finds itself concerned with
moppings-up and re-groupings as all the involved players plot their next move. As
such it consists rather a lot of people moving from one place to another, and
by the series’ end, some of them still haven’t got to where they’re going.</span><span style="font-family: "Trebuchet MS",sans-serif;"> Alas, the pitfalls of
adapting only a half a novel, instead of the whole book…</span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">Thankfully, with such incredible resources available both in
front and behind the camera, viewing is seldom dull. New cast members joining
the already impressive roster include big names like Ciaran Hinds, McKenzie
Crook and Diana Rigg – who gets the Lion’s share of the series’ best lines.
Inevitably though, not everyone gets much in the way of screen time, with some
- Clive Russell, Tobias Menzies – not getting stacks to do, but hopefully being
set up for more down the line.</span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">The overcrowding is unavoidably problematic, and an issue the show still
isn’t sure how to handle. And yet some of the many, many plot lines seem frustratingly
to cover hardly any ground at all. You could write the storylines for Bran,
Theon and Stannis/Melissandre/Davos on a postcard, yet they’re dragged in bitty
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuqAy8UyvjAsjJB0qTmgwikQCL3xY_kipEFvk6a9BbuV43cNLgu3i-X9u2Xi1u-eIztD3QpaCdogrfOvyHMoD2enqllEHepsqNHpxLr8MpTvB3MaG5F7D-wXfnhuaeILX07UOCw/s630/GOT+2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuqAy8UyvjAsjJB0qTmgwikQCL3xY_kipEFvk6a9BbuV43cNLgu3i-X9u2Xi1u-eIztD3QpaCdogrfOvyHMoD2enqllEHepsqNHpxLr8MpTvB3MaG5F7D-wXfnhuaeILX07UOCw/s320/GOT+2.jpg" width="320" /></a><span style="font-family: "Trebuchet MS",sans-serif;">The overcrowding also inevitably damages dramatic
execution. Some big events, namely two colourful duels, get almost no build-up.
Suspense is developed by knowing something’s coming – when you drop a flaming
sword or a massive bear into the mix unexpectedly, it might make you sit up
straight, but it doesn’t bring you to the edge of your seat. </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">The biggest crime the series commits is the using of
incidental music to compensate for the drama that it just can’t find room to
deliver. Watch how often a character gets to perform a big speech to a
gradually building soundtrack because there hasn’t been room to set the scene
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<span style="font-family: "Trebuchet MS",sans-serif;">That isn’t to say that the series doesn’t have more
successes than failures. A climb up an icy rock-face is appropriately
hair-raising, as is another encounter with the menacing white-walkers. And the
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<span style="font-family: "Trebuchet MS",sans-serif;">And though the episodes are bursting at the seams, it’s not
as if they’re not skillfully written and beautifully performed by the cast. Once
again, it’s the devious Lannisters who get most of the best material. Nominally
they’re the villains of the piece, but ruthless as they are, they’re as much
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<span style="font-family: "Trebuchet MS",sans-serif;">One the big
surprises of the season is the revelation that the sly-tongued Jamie, who
seemed to have no redeeming features beyond his looks, has more humanity than
we might otherwise have guessed, leading to one of the season’s most unexpectedly
emotional and surprising scenes. </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">It’s Emilia Clarke as Daenerys though who impresses most;
her rise from resourceful, determined girl into a fully-fledged leader is
completely convincing. And even when speaking in a made-up language, she’s able
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<br /></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">Whatever its faults, Game of Thrones remains compulsive
viewing.</span></div>
<br />
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-57648765336155127872013-06-17T22:27:00.001+01:002013-06-17T22:27:53.139+01:00Comic Book Villain of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<b>Mr Camera</b><br />
<br />
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Mr Camera has a large camera on his head. He commits crimes
by stealing cameras and uses weapons concealed within cameras.</div>
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<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD0sy0VeeyifUhM-Sr1eOn_va-wnpvLpGeJryJE2Z-VUjgwuN-s0RUvyk8h77i1uTa8I7kjzWFpTfYpgy_qV6D6a-8OzfE8qYQDM3gvYkABlu9XplscRZvSKGFuHSPRT7TfK-IuQ/s1600/200px-Mister_Camera_01.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD0sy0VeeyifUhM-Sr1eOn_va-wnpvLpGeJryJE2Z-VUjgwuN-s0RUvyk8h77i1uTa8I7kjzWFpTfYpgy_qV6D6a-8OzfE8qYQDM3gvYkABlu9XplscRZvSKGFuHSPRT7TfK-IuQ/s1600/200px-Mister_Camera_01.png" /></a>Mr Camera likes to film his criminal exploits, strangely not
realising how this might impact him on a later date. He, however, strikes it
lucky when his camera manages to capture both Batman and Robin changing into
their costumes, thus revealing their secret identity. He is arrested soon
after, but is able to hide the film so it can be developed later.</div>
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<br /></div>
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Knowing they have been rumbled, the dynamic duo set a plan
in motion… They wait until Mr Camera is released from prison (lazy - couldn't even be arsed to escape),
and then they have Dick Grayson announce that he is Robin and Bruce Wayne is
Batman. It was a double-bluff; Wayne rubbishes the story and Grayson
admits to making it up to impress a girl, making the very idea seem ridiculous. </div>
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<br /></div>
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For a moment it seemed like Mr Camera was going to look like
a right prat. However, when he went to retrieve his film and develop it, he
found he had over-exposed it anyway, rendering it useless. So a massive
waste of time for all concerned. </div>
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<br /></div>
Scary face though:<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG4WKMAOfIBQGOjBEW8Y8S1plKmd5vQJn27B1YwrRGTJhA7lk1wcohcqnHQ1gxxx1mMxZUqKcvEF1ngTRs7NJhs4rLYPSlLGdt7XKj-8q8Qx6n3ft5sUmU22LDis8gpipRssmd_g/s1600/camera+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="121" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG4WKMAOfIBQGOjBEW8Y8S1plKmd5vQJn27B1YwrRGTJhA7lk1wcohcqnHQ1gxxx1mMxZUqKcvEF1ngTRs7NJhs4rLYPSlLGdt7XKj-8q8Qx6n3ft5sUmU22LDis8gpipRssmd_g/s320/camera+1.jpg" width="320" /></a></div>
<br />
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-81859994688342244392013-06-09T16:43:00.001+01:002013-06-09T16:43:36.419+01:00May Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I might have mentioned the <a href="http://www.filmreviewer.net/">blog before... </a><b><br /></b></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Iron Man 3</b> (2013) Robert Downey, Jr.,Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Ben Kingsley, Jon Favreau. Dir: Shane Black.</span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 105px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.filmreviewer.net/im/006/03/iron-man-3-50-word-film-review.jpg" target="_blank"><img alt="Iron Man 3 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/006/03/iron-man-3-50-word-film-review.jpg" style="width: 100%;" title="Iron Man 3 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
Suffering from PTSD, an edgy Stark earns the attention of a terrorist
who attacks his home. More dramatically satisfying than previous
instalments, but still has too much plot and an ultimately disappointing
villain. Real issue is a not-so-surprising third act twist which
muddies the point – just what’s the villain after?</span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
DDDD</span></span><br />
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Trance</b> (2013) James McAvoy, Rosario Dawson, Vincent Cassel, Danny Sapani. Dir: Danny Boyle.
</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 150px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.filmreviewer.net/im/009/05/trance-50-word-film-review.jpg" target="_blank"><img alt="Trance 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/05/trance-50-word-film-review.jpg" style="width: 100%;" title="Trance 50 Word Film Review" /></a></span></span></div>
</div>
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
An art thief consults a hypnotherapist when he forgets where he’s
stashed a painting after a concussion. You know it’s heading for a big
twist, and even if you don’t guess it (it’s not that surprising) it’s
quite meaningless because the characters are paper-thin and pretty dull.
Pleasingly flashy. </span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
DDD</span></span><br />
<b><br /></b><b>Ghost in the Shell</b><span style="font-size: small;"> (1995) Atsuko Tanaka, Akio Ōtsuka, Iemasa Kayumi. Dir: Mamoru Oshii. </span><br />
<div style="text-align: right;">
<br /></div>
<div style="clear: right; float: right; padding: 5px; width: 125px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/009/00/ghost-in-the-shell-50-word-film-review.jpg" target="_blank"><img alt="Ghost in the Shell 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/00/ghost-in-the-shell-50-word-film-review.jpg" style="width: 100%;" title="Ghost in the Shell 50 Word Film Review" /></a></div>
</div>
<span style="font-size: small;">
In future Japan, a secret agency of cyborgs must stop a hacker who
re-writes people’s minds. Insightful, mind-bending sci-fi that asks
questions about who we are and where we’re going. Packs a colossal
amount into 82 minutes, but worthwhile if you can keep up with it.
Impressive animation and sound. </span><br />
<br /><span style="font-size: small;">
DDDDd</span><br />
<br />
<br />
<br />
<span style="font-size: small;"><b>The Abominbale Snowman</b><span style="font-family: Arial,Helvetica,sans-serif;"> (1957) Peter Cushing, Forrest Tucker, Maureen Connell, Richard Wattis, Robert Brown. Dir: Val Guest. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><br /></span></div>
<div style="clear: right; float: right; padding: 5px; width: 98px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><a href="http://www.filmreviewer.net/im/005/04/the-abominable-snowman-50-word-film-review2.jpg" target="_blank"><img alt="The Abominable Snowman 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/005/04/the-abominable-snowman-50-word-film-review2.jpg" style="width: 100%;" title="The Abominable Snowman 50 Word Film Review" /></a></span></div>
</div>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
An ethical doctor joins an unethical expedition to the Himalayas
searching for yeti. Considering meagre budget, does decent job of
creating a believable mountainside setting, and of making it
suspenseful. Alas, not much happens during first hour and the
interesting ideas in Nigel ‘Quatermass’ Kneale’s script are not entirely
developed. </span></span>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
DDDd</span></span><br />
<br />
<span style="font-size: small;"><b>Frenzy</b><span style="font-family: Arial,Helvetica,sans-serif;"> (1972) Jon Finch, Alec McCowen, Barry Foster, Anna Massey, Barbara Leigh-Hunt. Dir: Alfred Hitchcock. </span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><br /></span></div>
<div style="clear: right; float: right; padding: 5px; width: 100px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><a href="http://www.filmreviewer.net/im/007/08/frenzy-50-word-film-review.jpg" target="_blank"><img alt="Frenzy 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/08/frenzy-50-word-film-review.jpg" style="width: 100%;" title="Frenzy 50 Word Film Review" /></a></span></div>
</div>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
A struggling divorcee is framed when his ex-wife falls victim to a
serial killer. Hitch’s penultimate is soaked in references to his past
and old London, while also embracing contemporary sexual explicitness.
Has flaws – mis-placed comedy and unsympathetic lead – but proves he
still had plenty of tricks up his sleeves.</span></span>
<span style="font-size: small;"><br /><span style="font-family: Arial,Helvetica,sans-serif;">
DDDD</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Star Trek Into Darkness</b> (2013) Chris Pine, Zachary Quinto, Benedict Cumberbatch,
John Cho, Alice Eve, Simon Pegg, Zoe Saldana, Karl Urban, Peter Weller,
Bruce Greenwood, Anton Yelchin. Dir: J.J. Abrams.
</span></span><br />
<div style="clear: right; float: right; padding: 5px; width: 110px;">
<span style="font-size: small;">
<div style="border: 1px solid rgb(204, 204, 204);">
<a href="http://www.filmreviewer.net/im/003/08/star-trek-into-darkness8.jpg" target="_blank"><img alt="Star Trek Into Darkness" class="bodyimage" src="http://www.filmreviewer.net/im/003/08/star-trek-into-darkness8.jpg" style="width: 100%;" title="Star Trek Into Darkness" /></a></div>
</span></div>
<span style="font-size: small;">
<br /> </span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">After an attack on earth, Kirk and crew fly into dangerous territory to
catch a terrorist. An action packed sequel that has the moral dimension
missing from the first outing. It smartly steal many of the original
series’ best ideas although the plot is still overspilling (cryogenic
torpedos?)<br />
<br />
DDDD</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>The Collector</b> (1965) Terence Stamp, Samantha Eggar. Dir: William Wyler. </span></span>
<br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div style="clear: right; float: right; padding: 5px; width: 135px;">
<div style="border: 1px solid rgb(204, 204, 204);">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.filmreviewer.net/im/009/09/the-collector-50-word-film-review.jpg" target="_blank"><img alt="The Collector 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/009/09/the-collector-50-word-film-review.jpg" style="width: 100%;" title="The Collector 50 Word Film Review" /></a></span></span></div>
</div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
A shy butterfly collector kidnaps and imprisons a woman to make him fall
in love with her. A little artificial – it’s a stretch that Eggar
couldn’t overpower Stamp, but the relationship that develops between
them is intriguing, as much about divisions of class and education as it
is isolation and sexual obsession.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
</span></span><br />
<span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;">DDDD</span><br />
</span></span></span>
</span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-62112901887581843762013-05-25T17:58:00.003+01:002013-05-25T17:58:57.894+01:00Comic Book Villain of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
<strong>Armless Tiger Man</strong><br />
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXx27JIO5QojTZusdKNxFPRzR1M4rxVgWwY0UiXQ1gJ3UrtsLNGfWyA9WoATdSUHASbkrBq2LutE-vwcFkLkNj0oaJAeGoHU_qxy1VrZPFvJclPgQ9GqDF58hmDNQbrEpOXtGinw/s1600/armless+tiger+man.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXx27JIO5QojTZusdKNxFPRzR1M4rxVgWwY0UiXQ1gJ3UrtsLNGfWyA9WoATdSUHASbkrBq2LutE-vwcFkLkNj0oaJAeGoHU_qxy1VrZPFvJclPgQ9GqDF58hmDNQbrEpOXtGinw/s320/armless+tiger+man.png" width="228" /></a><span style="font-family: Calibri;">Eric Hertz was a German factory worker who was crippled
after his arms were caught in a machine and had to be amputated. He developed
an extreme hatred for machinery. Learning to use his arms and teeth instead of his
arms, he began to wreck and sabotage machinery in a mission of vengeance. He
also filed his teeth and nails into sharp fangs and claws – presumably this is where the
tiger thing comes in.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">He was arrested by the Nazis who decided they could use his
hatred for machines to their advantage. The Armless Tiger Man was shipped over
to America where he was tasked with wrecking defence machinery. Presumably his
inconspicuous appearance helped in this regard. He was eventually stopped by detective
superhero Angel while trying to wreck the Johnston Defence Plant and sent to prison.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">At some point he died and was sent to Hades, where he later
served on a hellish jury in the trial of the god Zeus. He later got into a
fight with the God Pluto and understandably got his arse kicked. </span><span style="font-family: Calibri;">Even in the
afterlife, he still had no arms. <o:p></o:p></span></div>
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-27916645205452105632013-05-19T22:16:00.001+01:002013-05-19T22:17:01.071+01:00Done It Again....<div dir="ltr" style="text-align: left;" trbidi="on">
It's been a while, but I'm back!<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyZJhMlyBaQBLEtyRrCG4XdmsUUP9TPEALteGZe2_juHzLpB4fEW1HNPUHSgEfJJoH3UU9w6u6dCSE40Ap-lffBELbA5r83KvbM6rZJG3mI-7Aj7zBtyPsPVq_R43gYK2Bc7xfA/s1600/new+caption+1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyZJhMlyBaQBLEtyRrCG4XdmsUUP9TPEALteGZe2_juHzLpB4fEW1HNPUHSgEfJJoH3UU9w6u6dCSE40Ap-lffBELbA5r83KvbM6rZJG3mI-7Aj7zBtyPsPVq_R43gYK2Bc7xfA/s640/new+caption+1.png" width="640" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvBqQokGdSDASehF2BOMzipApbwHLM8s3Sh9KKzn1G-_iObD4oZt1nGfMB964EDDjqnS-fQzcifj01sP84b537QYbVGCKLaJ9CZSKJcDOFPZQEJGeZ-mA_5e1gi9Le3rIbIebvig/s1600/new+caption+2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvBqQokGdSDASehF2BOMzipApbwHLM8s3Sh9KKzn1G-_iObD4oZt1nGfMB964EDDjqnS-fQzcifj01sP84b537QYbVGCKLaJ9CZSKJcDOFPZQEJGeZ-mA_5e1gi9Le3rIbIebvig/s640/new+caption+2.png" width="640" /></a></div>
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-25248521901268808172013-05-15T22:06:00.000+01:002013-05-15T22:06:28.598+01:00Five of the Hardest Films to See<div dir="ltr" style="text-align: left;" trbidi="on">
<i>I wrote this article to submit to a film blog, which subsequently closed for submissions before I finished. It was originally intended to have ten entries - I will hopefully finish the others at some point.</i><br />
<br />
In movie land there exists a small but strange group of films. A group of movies that remain strangely out of reach, gathering dust on shelves, locked away from human eyes, never or rarely to be seen.<br />
<br />
These films are not lost - there is not reason to believe that their original elements have destroyed. Nor do they exist in mere fragments; they are complete works, you just can't see them, at least not in full.<br />
<br />
The reasons for these restrictions are usually legal; a battle between who owns what, who gets paid, a battle that keeps these films in a stage of limbo. But there are of course other reasons, controversies, disagreements and other reasons which remain mysterious.<br />
<br />
Here are five such films, films that you won't be seeing at the cinema or be buying on Amazon any time soon.<br />
<br />
<br />
<div class="MsoNormal">
<b>I Woke Up Early the
Day I Died <o:p></o:p></b></div>
<div class="MsoNormal">
<b><br /></b></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixYdIPW7XqBQkcl834Ay9rHjgW2QiHQBrVRcGKQLrfs_dZbYoMgEw34JKKWpjGToAX5DFFYLfxGmGx893a9cbyUX7KVzRDM6FcVLa-AUMGIty_7WZDol2l_ihEVDSpIDYI-LU0ow/s1600/x+i_woke_up_early_the_day_i_died.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixYdIPW7XqBQkcl834Ay9rHjgW2QiHQBrVRcGKQLrfs_dZbYoMgEw34JKKWpjGToAX5DFFYLfxGmGx893a9cbyUX7KVzRDM6FcVLa-AUMGIty_7WZDol2l_ihEVDSpIDYI-LU0ow/s1600/x+i_woke_up_early_the_day_i_died.jpg" /></a>Even decades after his death, Ed Wood projects were still
destined for disaster. His 1959 movie <a href="http://en.wikipedia.org/wiki/Night_of_the_ghouls">Night of the Ghouls </a>lay unseen in a
post-production lab for over twenty years because he didn’t have enough money
to process it. A similar fate would befall this 1999 tribute production, based
on one of his most beloved yet unmade scripts. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I Woke Up Early the Day I Died starred Billy Zane as a
psychiatric patient who steals a nurses uniform (cross-dressing, of course) to
escape from hospital, ending up in a variety of scrapes amongst the city
low-life. It was a star-studded tribute, with an impressive cast that included
Eartha Kitt, Christina Ricci, Tippi Hedren, Ron Perlman, Nicolette Sheridan and
many former Wood alumni.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The jury’s still out on whether it’s any good, and by that I
mean true to Wood’s unique kind of enthusiastic ineptitude, but few of Wood’s
fans actually got to see it. Its production company, Cinequanon, went under,
causing the film to be mired in legal difficulties. After a
blink-and-you’ll-miss-it New York City release, the film went unseen beyond a
brief VHS release in Germany and some Mexican TV screenings. <o:p></o:p></div>
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<br /></div>
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</div>
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<b>Cocksucker Blues<o:p></o:p></b></div>
<div class="MsoNormal">
<b><br /></b></div>
<div class="MsoNormal">
The Rolling Stones 1969 documentary Gimme Shelter culminates
in several Hell’s Angels stabbing to death a gun wielding audience member at the
notorious Altamont concert. Yet <i>this </i>is
the documentary that’s banned from release.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ_aDIRgKGXNvNGpXW5SP2PX42KyXOoeT-ajj4OeyzztqB2mYW4wkKXKrBGPKoWAMh70cVj3QsDVKacLZUsLdk4xExtsrdYJVR6-M36Ah2BoogBccEDFLOSFWcNHlHkpCCyge5pA/s1600/x+cocksucker+blues.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ_aDIRgKGXNvNGpXW5SP2PX42KyXOoeT-ajj4OeyzztqB2mYW4wkKXKrBGPKoWAMh70cVj3QsDVKacLZUsLdk4xExtsrdYJVR6-M36Ah2BoogBccEDFLOSFWcNHlHkpCCyge5pA/s1600/x+cocksucker+blues.jpg" /></a></div>
<o:p></o:p><br />
<div class="MsoNormal">
Cocksucker Blues was supposed to build on Gimme Shelter’s success, once again following a huge American Tour but this time with Exile
on Main Street photographer Robert Frank behind the camera. Unfortunately,
Frank was more interested in what goes on back stage than on, and captured
candid scenes of drug-taking, roadie sex and all kinds of debauchery, though
soon clearly put-on for the camera.</div>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Perhaps almost as damaging was that it showed all that was
awful about touring, the arguments, confusion, strained-relationships, not to
mention the signs of addiction. Jim Jarmusch said of the film: "one of the
best movies about rock and roll I've ever seen. . . . It makes you think being
a rock and roll star is one of the last things you'd ever want to
do." He’s one of the few to have
seen it; the Stones brought out an injunction to prevent its release. Frank is
now legally only able to show the film once a year, with himself in
attendance. Good luck getting tickets.<o:p></o:p></div>
<br />
<br />
<br />
<br />
<div class="MsoNormal">
<b>Filming Othello<o:p></o:p></b></div>
<div class="MsoNormal">
<b><br /></b></div>
<div class="MsoNormal">
Welles later years were full of projects half-finished or
trapped in limbo. The most famous of these, the filmed but not edited The Other
Side of the Wind, may still eventually make it to cinemas, but oddly the last
film Welles ever actually completed seldom gets mentioned.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIEHzC37d4Ozz1xHoY0h7PcmfaSIYMIIg1DpwldTc2oxOsV53xGiWftn2M_Po22zz5fRV0gW711upPEXA-Y4-I26hXswlk8J0JAnGfP_RQVIf7l2LnNV-afqJQ4OuA0EtkySfUsg/s1600/x+othello.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIEHzC37d4Ozz1xHoY0h7PcmfaSIYMIIg1DpwldTc2oxOsV53xGiWftn2M_Po22zz5fRV0gW711upPEXA-Y4-I26hXswlk8J0JAnGfP_RQVIf7l2LnNV-afqJQ4OuA0EtkySfUsg/s1600/x+othello.jpg" /></a>True, it was more making-of than movie; Filming Othello
was commissioned by West German television to accompany an up-coming screening
of his 1952 Shakespeare adaptation. Typically of Welles, the project was tinged with
disaster – all his insert shots were lost by a producer - leaving the film
consisting of Welles talking straight to camera while sat behind editing desks,
books and water bottles in an effort to disguise just how much weight he had
now put on.<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
Finished four years too late, Welles raconteurial skills
still won over the critics in its few screenings, but as there was little
demand for such a niche project in the 70s, and with no home video market, the
film faded into obscurity. The re-release of Othello in 1992 seemed the ideal
time to dust-off the film but the on-going feud between Welles’ daughter
Beatrice, who owns Othello, and his mistress Oja Kodar, who owns Filming
Othello, prevented it. Somewhat ironically, Welles follow-up, the unfinished
Filming the Trial, has fallen into the public domain and is free for all to see.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<b>The Pied Piper of
Cleveland: A Day in the Life of a Famous Disc Jockey<o:p></o:p></b></div>
<div class="MsoNormal">
<b><br /></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9nf3m8tOIUySMUNrHLE5QO75Do4PILETuQRygx_rctpfpewB9mv1Cf9yaj1GOJhDuUo8drOfTYCuFiVZwKTC9q4cTwI4nnDAQbylg4_QZc4_ZTCbp6mKX_eKVYAWfvMYimEhy5A/s1600/x+pied+pipr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9nf3m8tOIUySMUNrHLE5QO75Do4PILETuQRygx_rctpfpewB9mv1Cf9yaj1GOJhDuUo8drOfTYCuFiVZwKTC9q4cTwI4nnDAQbylg4_QZc4_ZTCbp6mKX_eKVYAWfvMYimEhy5A/s320/x+pied+pipr.jpg" width="320" /></a></div>
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<br /></div>
<div class="MsoNormal">
So little is known about this music documentary it may be a
lost film. Some have even doubted that it ever existed at all, but there’s
evidence that it was made and that it was screened for an audience at least
once. What’s so special about it? Only that it features the first ever recorded
performance of Elvis Presley, that’s all.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The film was a tribute to famous DJ Bill Randle, who
financed the film himself and arranged for performances by Elvis, Bill Haley,
Johnnie Ray, La Vern Baker and others at Cleveland’s Brooklyn High School.
Elvis performed five songs but it’s not known how many made it into the 48
minutes long documentary.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The film was edited down to 20 minutes for national
distribution, but this mysteriously never occurred. Parts of it were shown on
local television, but since then the film has been shrouded in mystery. Randle spoke only obliquely about the film,
and seldom consistently. Music historian Jim Dawson has claimed Randle sold the
footage to music producer Ray Santelli in 1992, who then sold it swiftly to Polygram.
It is now said to exist within Universal’s archive, but no one knows for sure.<o:p></o:p></div>
<div class="MsoNormal">
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<div class="MsoNormal">
</div>
<div class="MsoNormal">
<b>Ingagi<o:p></o:p></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_TQkayZV6_cd3cVAFHHcx2m09eQsLNDnSrFCH1xwhMu81OBz4ce9NJq4smwc5zaye67nzP2tkwcO24NJwzRlqCLSSRkqIKcBMYGoNzn0DIB7QNKNUK-em5JaRIA9z1hsJD4yaBw/s1600/x+ingagi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_TQkayZV6_cd3cVAFHHcx2m09eQsLNDnSrFCH1xwhMu81OBz4ce9NJq4smwc5zaye67nzP2tkwcO24NJwzRlqCLSSRkqIKcBMYGoNzn0DIB7QNKNUK-em5JaRIA9z1hsJD4yaBw/s320/x+ingagi.jpg" width="214" /></a></div>
<div class="MsoNormal">
<b><br /></b></div>
<div class="MsoNormal">
There’s an argument that King Kong might not have been made
if it wasn't for Ingagi. Made three years earlier, Ingagi was a documentary
charting the adventures of British explorer Sir Hubert Winstead as he explored
the Belgian (!) Congo, culminating in the discovery of a tribe of naked women
who gave over one of their own as a sex sacrifice to a giant gorilla.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Suspicions towards its authenticity were raised early; Sir
Hubert appeared to be American, the newly discovered Tortadillo appeared to be
a tortoise with feathers and wings stuck on, and the naked tribeswomen’s
genitals always seemed to be conveniently covered by thickets. One of the
lion’s in the film also bore more than a slight resemblance to the one that
roars in the famous MGM production ident. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The Hay’s Office were determined to get this smut out of
theatres and tried to get it pulled on the grounds that it was falsified. They
even got a signed affidavit from the actor who played the film’s lead gorilla, stating that it was faked. But when the studios backed off, the film’s
producers took it to independent cinemas. It took three years before it was driven
out of theatres by which time it had made more than $4 million, making it one
of the most profitable of the decade. Reason enough for RKO to invest in
cinema’s most famous giant gorilla epic soon after.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Ingagi hasn’t been seen since. Prints do exist, but the
film’s non-pc content perhaps makes it rather a risky proposition for
distributors. Interestingly enough, the title was appropriated for the otherwise unconnected <a href="http://en.wikipedia.org/wiki/Son_of_Ingagi">Son of Ingagi</a>, Hollywood's first all-black horror film. <o:p></o:p></div>
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-41922767870390065742013-05-06T21:26:00.000+01:002013-05-06T21:26:53.017+01:00April Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Arial, Helvetica, sans-serif;">You can visit <a href="http://www.filmreviewer.net/">the blog</a> if you like...</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Oz the Great and Powerful</strong> (2013) James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King. Dir: Sam Raimi. </span><br />
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<a href="http://www.filmreviewer.net/im/000/06/oz-the-great-and-powerful-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Oz the Great and Powerful 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/000/06/oz-the-great-and-powerful-50-word-film-review.jpg" style="width: 100%;" title="Oz the Great and Powerful 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> An unscrupulous carnival magician is whisked away to the land of Oz and sent to kill a witch. CGI is colourful and sometimes beautiful – but not magic. Lacking in wit and inspiration, this is an expensive but bland runaround, which makes not much sense and is hard to care about. <br /><br /> DDDd</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>The Poseidon Adventure</strong> (1972) Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley, Roddy McDowall, Stella Stevens, Shelley Winters, Jack Albertson, Leslie Nielson. Dir: Ronald Neame. </span><br />
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<a href="http://www.filmreviewer.net/im/008/03/posiedon-adventure-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Posiedon Adventure 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/03/posiedon-adventure-50-word-film-review.jpg" style="width: 100%;" title="Posiedon Adventure 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> When a boat capsizes, a group of passengers must band together to survive. Something of a classic, even if the script’s clunky and the characters are hopelessly one-dimensional, veering between irritating and unintentionally hilarious. It’s an impressive production nevertheless, and dramatic enough to keep your attention.<br /><br /> DDDD<br /></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><strong>The Birds</strong> (1963) Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, Suzanne Pleshette. Dir: Alfred Hitchcock.</span><br />
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<a href="http://www.filmreviewer.net/im/002/00/the-birds-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="The Birds 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/002/00/the-birds-50-word-film-review.jpg" style="width: 100%;" title="The Birds 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> A socialite chases a man to a secluded town where the birds start turning nasty. Effects may have dated, but an impressive technical achievement. And it never makes you giggle, tone’s too serious and arguably the sound’s what’s most frightening. Hitch’s most horrific, psychologically complex and full of unexpected danger.<br /><br /> DDDDD </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>In the House</strong> (2012) Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas, Emmanuelle Seigner, Yolande Moreau, Denis Menochet. Dir: François Ozon. </span><br />
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<a href="http://www.filmreviewer.net/im/000/05/in-the-house-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="In the House 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/000/05/in-the-house-50-word-film-review.jpg" style="width: 100%;" title="In the House 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> A teacher takes an interest in a student who writes about his visits to a middle-class home. Clever tale about storytelling, its pleasures and pitfalls, and what our subjectivity reveals about us, our needs, desires and envies. A little contrived, but witty, funny and devastating, with ambiguities that’ll prompt discussion. <br /><br /> DDDDD</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>The Aristocats</strong> (1970) Phil Harris, Eva Gabor, Liz English, Gary Dubin, Scatman Crothers, Dean Clark, Sterling Holloway, Roddy Maude-Roxby. Dir: Wolfgang Reitherman. </span><br />
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<a href="http://www.filmreviewer.net/im/001/06/the-aristocats-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="The Aristocats 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/06/the-aristocats-50-word-film-review.jpg" style="width: 100%;" title="The Aristocats 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> A cat and her kittens are kidnapped but find help from a streetwise tom cat. Admittedly rather slight, and pilfers liberally from past successes, but it’s so adorable you can’t help but love it. The characters are irresistible, the music infectious and the animation gorgeously rendered. <br /><br /> DDDD</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Side Effects</strong> (2013) Jude Law, Rooney Mara, Catherine Zeta-Jones, Channing Tatum, Vinessa Shaw. Dir: Stephen Soderburgh. </span><br />
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<a href="http://www.filmreviewer.net/im/001/02/side-effects-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Side Effects 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/02/side-effects-50-word-film-review.jpg" style="width: 100%;" title="Side Effects 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> A suicidally depressed woman experiences a shocking side effect from her new medication. Gets less interesting as its plot twists and turns; what starts as a drama examining a culture of industry-driven pill-popping turns slowly into a big-reveal, plot-twist thriller. Perfectly watchable, but less than the sum of its parts. <br /><br /> DDDD</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Vengeance is Mine</strong> (1979) Ken Ogata, Mayumi Ogawa, Rentaro Mikuni, Mitsuko Baisho. Dir: Shohei Imamura. </span><br />
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<a href="http://www.filmreviewer.net/im/001/03/vengeance-is-mine-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Vengeance is Mine 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/03/vengeance-is-mine-50-word-film-review.jpg" style="width: 100%;" title="Vengeance is Mine 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;"> After murdering his superior, an office-worker goes on the run, murdering and thieving as he sees fit. Deliberately avoids easy answers; history, society, upbringing and religion –they’re suggested, but none really explains Enokizu’s evil. Presumably that’s the point. Occasionally beautiful but mostly bleak and intentionally troubling viewing. <br /><br /> DDDD</span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-15886935280189749232013-04-15T21:29:00.001+01:002013-04-15T21:29:23.762+01:00Comic Book Villain of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Calibri;"><strong>Paranex The Fighting Fetus</strong></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYirkbxGslWtt5nDWzuqWKzgKSf58QKSvwSzyfQZtBMz3Ark3UetupQ_Gpq64_s2UuH1-Nkrlz2b4SJgga_A_ueTkFX0LSolTqc7vEI0dGeURQ2gjAV01l9gzYXU8Ws2WNaD3rpg/s1600/Paranex.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYirkbxGslWtt5nDWzuqWKzgKSf58QKSvwSzyfQZtBMz3Ark3UetupQ_Gpq64_s2UuH1-Nkrlz2b4SJgga_A_ueTkFX0LSolTqc7vEI0dGeURQ2gjAV01l9gzYXU8Ws2WNaD3rpg/s320/Paranex.jpg" width="320" /></a></div>
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<span style="font-family: Calibri;">Some are born bad, others are bad before they’re even born.
Paranex has yet to earn his birth certificate, but that hasn’t prevented him
from growing into an armour-clad, gigantic killing machine with telekinetic
abilities. </span></div>
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<span style="font-family: Calibri;">Despite his homicidal tendencies, and deadly powers strong
enough to wreck a space station, Captain Victory is reluctant to harm Paranex
because it’s not fair to kill something that has not yet been born. <span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: Calibri;">Could this be some kind of strange political allegory for
the debate over abortion? Does it make any sense? Does it make any more sense
when it’s revealed that Captain Victory’s concern for the unborn killer is just
a ruse to lure out his ultimate enemy, the mysterious Voice? <span style="mso-spacerun: yes;"> </span>After which it’s perfectly fine to do away
with the unborn psychopath. </span></div>
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<span style="font-family: Calibri;">It’s definitely made me reassess my views on the abortion
issue…<o:p></o:p></span></div>
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-38218891750351350732013-04-10T21:23:00.000+01:002013-04-10T21:23:52.313+01:00March Film Highlights<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Arial, Helvetica, sans-serif;">Go ahead and visit <a href="http://www.filmreviewer.net/">the blog</a> if you have time...</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Robot & Frank</strong> (2012) Frank Langella, Susan Sarandon, Peter Sarsgaard, James
Marsden, Liv Tyler. Dir: Jake Schreier.
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<a href="http://www.filmreviewer.net/im/007/02/robot-frank-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Robot & Frank 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/02/robot-frank-50-word-film-review.jpg" style="width: 100%;" title="Robot & Frank 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">A
forgetful retired burglar is forced to accept a robot carer, but finds different
ways to use him…Superbly written bittersweet drama, a story that perfectly
balances comedy and melancholy, unexpectedly moving from one to the other
without ever over-doing it. Langella never better as the ageing rogue
approaching senility. <br /><br />DDDDd</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Psycho </strong>(1960) Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin
Balsam. Dir: Alfred Hitchcock.
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<a href="http://www.filmreviewer.net/im/008/02/psycho-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Psycho 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/02/psycho-50-word-film-review.jpg" style="width: 100%;" title="Psycho 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">A
woman on the run arrives at an isolated motel run by a shy man and his
domineering mother. Probably the greatest murder in cinema history, and a
censorship watershed. Time’s reduced its ability to surprise or shock, but
suspense and dark humour still resonate, as does Perkins singular performance.
<br /><br />DDDDD</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Mama</strong> (2013) Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier,
Isabelle Nélisse, Daniel Kash. Dir: Andrés Muschietti.</span><br />
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<a href="http://www.filmreviewer.net/im/003/02/mama-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Mama 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/003/02/mama-50-word-film-review.jpg" style="width: 100%;" title="Mama 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">Feral
children are found in woodland and returned to relatives, but something comes
with them. It’s good Hollywood’s investing in horror, but Mama’s the same old
cheap tricks recycled. There are stylish flourishes, lush cinematography and
strong cast, but it’s wasted on a padded, undercooked script with a ridiculous
conclusion.<br /><br />DDd</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>The Cooler</strong> (2003) William H. Macy, Alec Baldwin, Maria Bello, Shawn Hatosy,
Ron Livingston, Arthur J. Nascarella. Dir: Wayne Kramer. </span><br />
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<a href="http://www.filmreviewer.net/im/007/06/the-cooler-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="The Cooler 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/007/06/the-cooler-50-word-film-review.jpg" style="width: 100%;" title="The Cooler 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">A
man so unlucky a casino employs him to ruin player’s luck has a sudden change of
fortune. Witty shaggy-dog story that occasionally loses its way amongst
sub-plots but retains focus on three damaged characters who, better or worse,
only have each other. Terrific leads and refreshingly glamour-less look at
Vegas.<br /><br />DDDD</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Lincoln </strong>(2012) Daniel Day-Lewis, Tommy Lee Jones, Sally Field, David
Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, John Hawkes,
Walton Goggins. Dir: Steven Spielberg.
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<a href="http://www.filmreviewer.net/im/001/09/lincoln-50-word-film-review.jpg" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Lincoln 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/001/09/lincoln-50-word-film-review.jpg" style="width: 100%;" title="Lincoln 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">If
Lincoln’s to pass is to end slavery, he must pass the bill before civil war
ends. Spielberg manages for the most part to not over-egg what’s obviously a
momentous story (shame about the score) creating a riveting political drama,
with top supporting cast, and plenty of revealing character moments.
<br /><br />DDDDd</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>Bonnie Scotland</strong> (1935) Stan Laurel, Oliver Hardy, June Lang, William Janney, Anne
Grey, Vernon Steele, Jimmy Finlayson. Dir: James W. Horne.</span><br />
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<a href="http://www.filmreviewer.net/im/008/03/bonnie-scotland-50-word-film-review.gif" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;"><img alt="Bonnie Scotland 50 Word Film Review" class="bodyimage" src="http://www.filmreviewer.net/im/008/03/bonnie-scotland-50-word-film-review.gif" style="width: 100%;" title="Bonnie Scotland 50 Word Film Review" /></span></a></div>
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<br /><span style="font-family: Arial, Helvetica, sans-serif;">The
boys travel to Scotland to claim Stan’s inheritance, but end up accidentally
joining the army. Another L&H film that oddly has them tangentally follow
other characters’ plot, but fortunately this times they keep main focus. First
half is undeniably better, though second does build to an unusually ambitious
finale.<br /><br />DDDD</span></div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com2tag:blogger.com,1999:blog-18525846.post-352376922059625512013-03-31T23:37:00.000+01:002013-03-31T23:37:01.217+01:00Buy My House<div dir="ltr" style="text-align: left;" trbidi="on">
Quite some time ago (a ridiculous time ago) me and my brother inherited a house. It was a little tired, and in need of some repair. We gave this chap we thought we could trust money to do the house up. <br />
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He did do some of the work, but he spent most of the money on another project, which evidentally did not work out. So then he wasn't able to raise the money to finish the work. Thus, after a number of years the work remained unfinished. And worse still, there was a severe leak which resulted in part of the ceiling caving in and much of the interior being ruined.<br />
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So, after much indignation, me and my brother set about doing the job ourselves. It was not fun. It has been hard. It has been expensive. The full day it took my to pressure wash the front and back gardens and the driveway was particularly unpleasant. It was only just above freezing, I had mud splattered up my trousers beyond my knees and lost all feeling in my right foot. <br />
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Anyway... The house is now available for purchase, should you have a spare hundred grand or so available. It's in Abergele, North Wales, a lovely little bungalow, newly decorated. If you're interested, just let me know!<br />
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com1tag:blogger.com,1999:blog-18525846.post-44462265554499606222013-03-24T23:07:00.002+00:002013-03-24T23:07:47.209+00:00Things I've Enjoyed: Dexter Season 7<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojluZw1hyphenhyphen-sU3To5yMOpKk1iFjBpO16prpYi4U6KiPmS56TsXlGO91mB0NVFfLb9zOFkXMr2dSzNLbDiPI9uWvmD1ZorWiXTxfm6dTx0YtiYXW3LnkZW12um7l8O1oe8poniWtQ/s1600/Dexter+Season+7.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojluZw1hyphenhyphen-sU3To5yMOpKk1iFjBpO16prpYi4U6KiPmS56TsXlGO91mB0NVFfLb9zOFkXMr2dSzNLbDiPI9uWvmD1ZorWiXTxfm6dTx0YtiYXW3LnkZW12um7l8O1oe8poniWtQ/s320/Dexter+Season+7.png" width="320" /></a></div>
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<span style="font-family: Calibri;">TV’s favourite serial killer has been stalling a bit of
late. Dexter uniquely is a series with a conclusion all its viewers already
know – that Dexter will be found out. How it happens is the source of much
suspense and intrigue, but its postponement through six seasons has
dragged the series into a pretty uninspiring direction. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">After all, it’s a show with a fairly high concept, and one
that lends itself easily to formula. Right from the off, It could so easily
have been a police procedural with a dark edge, with Dexter pursuing a<span style="mso-spacerun: yes;"> </span>new killer(s) each season, trying desperately
to stay ahead of his police cohorts.</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Early seasons seemed to rally against allowing the show to
fall into this pattern: after Dexter’s parlay with the Ice Truck Killer in
season 1, the following two seasons stayed mostly away from serial killing
nemeses, pitting Dexter against more ordinary monsters, people so easily and
willingly corrupted by the prospect of killing. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">It wasn’t until the fourth season that Dexter found himself
up against another serial murderer, that of the Trinity Killer, played by John
Lithgow. It was a hard act to follow; it was the best season yet, and Lithgow
was much and justly awarded for his performance.<o:p></o:p></span></div>
<span style="font-family: Calibri;">Things have been much slower since then, the following
seasons serving up new killer enemies who were less engaging and leading to
less revelations and explorations of our hero’s character. Even with a
complicated character like Dexter, there’s only so much you can say or do with
them. <o:p></o:p></span><br />
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">But now, finally, the cat is out of the bag. Deborah (Jennifer
Carpenter), Dexter’s foul-mouthed sister, knows. It’s as if the writers have
let out a sigh of relief, suddenly the show can move forward again, and it does
so with gusto. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;"><o:p><span style="font-family: Times New Roman;">
</span>Deborah’s not the first to discover Dexter’s secret (another
factor against the show’s credible longevity) but unlike others, she has no
sympathy or empathy with Dexter dark doings. </o:p></span></div>
<span style="font-family: Calibri;"><div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
We’ve always liked Dexter, no matter how much he’s stretched
his moral code, we’ve always identified with him as an outcast who presents a
false face to the world, despite his darkness. But for the first time, we get
to really see him from someone else’s perspective, and it’s not a nice picture.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeWvuzlKPAkwlpQv0rkYVfSqTGvaaO4HrAU2-lcAeXlR9KBaZa3zS0rkqhNKnayRhGTF2zLDXuClPOY5d6vmzb8HHRrdSHzJDA_2daBhyphenhyphenx59UfNWwfAspTZfrT5fnrNFEelFK2bQ/s1600/Dexter+Season+7+2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="140" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeWvuzlKPAkwlpQv0rkYVfSqTGvaaO4HrAU2-lcAeXlR9KBaZa3zS0rkqhNKnayRhGTF2zLDXuClPOY5d6vmzb8HHRrdSHzJDA_2daBhyphenhyphenx59UfNWwfAspTZfrT5fnrNFEelFK2bQ/s320/Dexter+Season+7+2.png" width="320" /></a></div>
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<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
That’s how season 7 plays out; it’s asking one fundamental
question: just what makes Dexter different from the people he kills? For him,
it’s the code that targets his urges only towards the guilty. But for Deborah,
seeing him with his mementos and dangerous compulsive urges, he could just be
another psychopath making excuses for their actions.</div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
So this time around, there’s no single over-arching plot.
Instead, the show plays out a variety of scenarios which test their
relationship, effectively playing out the argument for and against from episode
to episode.<span style="font-family: Times New Roman;"></span></div>
<span style="font-family: Times New Roman;"><div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Two larger storylines run through:<span style="mso-spacerun: yes;"> </span>the first pits Dexter against a mafia
enforcer who doesn’t take kindly to Dexter disappearing one of his associates.
Deborah’s horrified at how Dexter’s actions snowball into multiple killings,
drawing others into the crossfire and compromising both their safety. But she
also gets a chance to see Dexter as an avenger, someone who’ll do anything to
protect her.</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">The other storyline, the more interesting of the two, sees
Dexter become interested in another killer, apparently reformed. Hannah McKay
(Yvonne Strahovski) was the kidnapped girlfriend of a serial killer, but
escaped prosecution for being underage and claiming not to have been complicit
in his crimes. But when Dexter finds out otherwise, and suspects further
killings, he goes after her, only to become romantically entangled.</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Unlike Deborah, Hannah accepts Dexter completely. She has
killed to further her goals and accepts that Dexter also kills to meet his own
needs. We’re left to feel ambivalent towards McKay, who, like Dexter, is
attractive and pleasant on the outside but harbours secrets within. We get to
see something of her painful past, see her with her guard down, but crucially,
unlike Dexter, we’re never given access to her inner monologue. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwg1iTjd-zIlil2ipI0qPt5K__sK8_DBR5EVDvr9Tmz6UM1Nwq7N2tzEOR5hESUeu9hQ96RJwm802VYY8u_ocBByFTVTCvhJWRLZsgtA5WS2wLn-lzdE_uKsgx-lIdjL7GXn7nQ/s1600/Dexter+Season+7+3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwg1iTjd-zIlil2ipI0qPt5K__sK8_DBR5EVDvr9Tmz6UM1Nwq7N2tzEOR5hESUeu9hQ96RJwm802VYY8u_ocBByFTVTCvhJWRLZsgtA5WS2wLn-lzdE_uKsgx-lIdjL7GXn7nQ/s320/Dexter+Season+7+3.png" width="320" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
</div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">She remains aloof, and is no doubt intended to give us the
same impression that Dexter gives Deborah. Someone who is all surface, some one
who habitually lies, and no matter how much we might like them, we know
ultimately cannot be trusted. As the season progresses Dexter is forced to make
a choice between the two women he loves, one who accepts him as he is and
another who might not be able to live with who he is. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Dexter does, of course, have a supporting cast, though their
less showy, but reliable performances gets them little notice. The writers are
clearly fond of Desmond Harrington’s Joey Quinn, a character who puts on a good
show of street-savvy smarts but is desperately short-sighted . He hits a new
low this series; like watching a car crash slowly, we both can and can’t
believe he’s so stupid.<span style="mso-spacerun: yes;"> </span>Sadly, though,
there’s still no good material for Masuka (C.S. Lee) or Batista (David Zayas).</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">One of the best things about Season 7 is that for the first
in a long time, Dexter is starting to feel unexpected again. There’s a crucial
moment at the series’ climax that honestly made me sit up straight and shout
“f**k” – you really won’t see it coming. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">That’s the power of taking the brakes off. In the last days
anything and everything might or could happen. There are rumours that the show
might go to a ninth series – let’s hope the writers don’t give in to studio
pressure. The show has benefited so much from pressing ahead it would be a
shame to spoil it by stalling again.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrhpZrF0gjS_p0jfbS4CorPfP4tPXWn2f7Iti5KyjsxNMJVokUAylEYB1ZsN7AYqAlZLixEieCBX5ICiv7sBC7tmnEZLk_UJ0RxFEd1ky57C7Rj95Lm1HEJ7tbOjmR7uSqTcqe1A/s1600/Dexter+Season+7+3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>
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Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0tag:blogger.com,1999:blog-18525846.post-19472792772499726962013-03-13T22:07:00.000+00:002013-03-13T22:07:13.387+00:00Comic Book Villain of the Week<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Calibri;"><strong>Snowflame</strong></span><br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;"></span> </div>
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdQlX6rsU2A7OZZRN9Xrmd1pdbgAbd3YjqR4nDJ-QsoOcCuX9QtN8zxPeUWpzUg-fYFwjCtmuoOs9-Di2xHX_7Z3yQtByICp3tKlUnRhszTtlIx5ktwrndeknl88mKSaNCOWNDmg/s1600/Snowflame.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdQlX6rsU2A7OZZRN9Xrmd1pdbgAbd3YjqR4nDJ-QsoOcCuX9QtN8zxPeUWpzUg-fYFwjCtmuoOs9-Di2xHX_7Z3yQtByICp3tKlUnRhszTtlIx5ktwrndeknl88mKSaNCOWNDmg/s320/Snowflame.jpg" width="183" /></a><span style="font-family: Calibri;">The super villain Snowflame enjoys superpowers
that include superhuman strength, super speed, immunity to pain and pyrokenesis. He
gained these powers by taking cocaine. Lots of cocaine. In fact, the more
cocaine he took, the more powerful he got.<o:p></o:p></span></div>
<br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">No, apparently he wasn’t just imagining it. In his own
words: "I am Snowflame! Every cell of my being burns with white-hot
ecstasy. Cocaine is my God -- and I am the human instrument of its will!"
He really, really, loves cocaine. <o:p></o:p></span></div>
<br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">He appeared in issue two of New Guardians, a short lived
series featuring a band of mostly new heroes tasked with protecting the earth
from threats that might endanger mankind’s evolutionary course. </span></div>
<br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">They battled with Snowflame’s drug cartel, initially with
little success as his henchman rather unsportingly shot them. Fortunately, they
just happened to be impervious to bullets for some reason and mounted a
successful second assault which ended with Snowflame being thrown into a comic
shed which promptly blew him up . <o:p></o:p></span></div>
<br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">It was turning out to be a bad week for the New Guardians,
in the previous issue several of their number were infected with HIV after being
bitten by a creature called the Hemo-Goblin. Because, of course, that’s how HIV
works… <o:p></o:p></span></div>
<br />
<div class="MsoNoSpacing" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;">It was the 80s; that’s how you dealt with issues, with
ignorance and stereotypes. Was Snowflame Columbian? Of course he was…<o:p></o:p></span></div>
</div>
Dave Paul Nixonhttp://www.blogger.com/profile/16061403583368664197noreply@blogger.com0